Jim Salicrup
BOOTH 1032
Jim Salicrup began his comics career at Marvel Comics when he was 15, having written to Roy Thomas offering to be "a Marvel slave"; Thomas and Sol Brodsky hired him to be a messenger transporting original art to the offices of the Comics Code Authority for approval. He subsequently worked his way up to editor. A Marvel employee for twenty years, he edited The Avengers, The Uncanny X-Men, and The Fantastic Four. In 1987, Salicrup became the editor of The Amazing Spider-Man and oversaw the "Kraven's Last Hunt" storyline. He is credited with coming up with the idea of running "Kraven's Last Hunt" as a crossover through all the Spider-Man titles. He followed this by hiring Todd McFarlane to draw the title. The popularity of McFarlane's work led to the launch of another Spider-Man title, Spider-Man, which Salicrup edited as well. Salicrup was the editor of Marvel Age magazine for eight years. He wrote licensed Marvel comic adaptations of Transformers, Sledge Hammer!, and The A-Team. He also wrote the novelty comic book printed on a toilet paper roll for The Amazing Spider-Man and the Incredible Hulk.
In 1992, Salicrup became the editor-in-chief of Topps Comics, where he edited Bram Stoker's Dracula, X-Files, The Lone Ranger and Tonto, Zorro, Lady Rawhide, a line of Jack Kirby superhero titles, Ray Bradbury Comics, and more.
At Stan Lee Media, Salicrup served as senior writer/editor, as well as the writer and voice of "Stan Lee's Evil Clone".
Salicrup is the editor-in-chief at Papercutz, publishers of Nancy Drew, The Hardy Boys, Tales From The Crypt, Totally Spies!, and Zorro graphic novels.
He is a trustee at the Museum of Comic and Cartoon Art (MoCCA).
PANELS:
Saturday, November 16
Grand Gallery E-F
12:45 p.m.
What Publishers are Really Looking For
Jim Salicrup and Renee Witterstaetter
Two former editors over at Marvel Comics discuss what publishers are really looking for in new talent. You may be surprised at their answers!
Saturday, November 16
Grand Gallery Overlook C
5:15 p.m.
From Screen to Page: Adapting Movies, TV, and Cartoons for Comics
Paul Storrie, Jim Salicrup and Thom Zahler
You see a lot of discussion about bringing Comics to the Screen, Big or Small. Much of it about whether fans are happy with the way it's done. But have you ever wondered what goes into adapting projects from the screen to the page? Sometimes from a movie, TV show, or cartoon that was based on a comic! Comics professionals talk about the hurdles and happy accidents that happen when you bring a project from another medium into comics!